Perception and Agency in Shared Spaces of Contemporary Art

von

Albu, CristinaHrsg.Schuld, DawnaHrsg.

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Beschreibung

This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.

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Details

ISBN/GTIN978-1-138-21872-7

ProduktartBuch

EinbandGebunden

VerlagTaylor and FrancisRoutledge

ErscheinungslandVereinigtes Königreich

Erscheinungsdatum21.12.2017

Auflage1. A.

ReiheRoutledge Advances in Art and Visual Studies

Seiten262 Seiten

SpracheEnglisch

MasseBreite 174 mm, Höhe 246 mm

Gewicht1500 g

IllustrationenFarb., s/w. Abb.

Artikel-Nr.32900736

KatalogBuchzentrum

Datenquelle-Nr.23538189

WarengruppeKunst

Weitere Details

Reihe

Taking Positions in Arts Research

Meanings of Abstract Art

Representations of Pain in Art and Visual Culture

Genealogy and Ontology of the Western Image and its Digital Future

Spiritual Art and Art Education

Mobility and Fantasy in Visual Culture

Art in the Asia-Pacific

Performing Beauty in Participatory Art and Culture

The Uses of Art in Public Space

Play and Participation in Contemporary Arts Practices

Art in the Asia-Pacific

Urbanization and Contemporary Chinese Art

Photography and Place

W.J.T. Mitchell's Image Theory

Collaborative Art in the Twenty-First Century

Gestures of Seeing in Film, Video and Drawing

Perception and Agency in Shared Spaces of Contemporary Art

Cartographic Abstraction in Contemporary Art

The Concept of the Animal and Modern Theories of Art

Contemporary British Ceramics and the Influence of Sculpture

Contemporary Visual Culture and the Sublime

Art : Process : Change

The Politics of Contemporary Art Biennials

What Drawing and Painting Really Mean

Art, Animals, and Experience

Arts Leadership in Contemporary Contexts

Changing Representations of Nature and the City

Geneses of Postmodern Art

Contemporary Artists Working Outside the City

Artistic Visions of the Anthropocene North

Portraiture and Critical Reflections on Being

Design and Visual Culture from the Bauhaus to Contemporary Art

Photography and the Contemporary Cultural Condition

Play and the Artist´s Creative Process

Art, Cybernetics and Pedagogy in Post-War Britain

Film and Modern American Art

Abstract Painting and the Minimalist Critiques

Popularisation and Populism in the Visual Arts

Bridging Communities through Socially Engaged Art

Arte Ambientale, Urban Space, and Participatory Art

Contemporary Art, Photography, and the Politics of Citizenship

Photography and the Contemporary Cultural Condition

Wonder in Contemporary Artistic Practice

The Aesthetics of Scientific Data Representation

A History of Solar Power Art and Design

Bridging Communities through Socially Engaged Art

Play and the Artist´s Creative Process

Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture

Theory of the Art Object

Abstract Painting and the Minimalist Critiques

Portraiture and Critical Reflections on Being

The Artist-Philosopher and Poetic Hermeneutics

Race, Gender, and Identity in American Equine Art

Art, the Sublime, and Movement

Visual Culture and the Forensic

Posthuman and Nonhuman Entanglements in Contemporary Art and the Body

Counterfactualism in the Fine Arts

Technologies of the Self-Portrait

Where is Art?

Art-Based Research in the Context of a Global Pandemic

Art, Animals, and Experience

Art, Cybernetics and Pedagogy in Post-War Britain

Arte Ambientale, Urban Space, and Participatory Art

The Concept of the Animal and Modern Theories of Art

Contemporary Art and Disability Studies

Contemporary Citizenship, Art, and Visual Culture

Digital Art, Aesthetic Creation

The Digital Interface and New Media Art Installations

Popularisation and Populism in the Visual Arts

Cultural Approaches to Disgust and the Visceral

Art, Agency and the Continued Assault on Authorship

Artistic Cartography and Design Explorations Towards the Pluriverse

Dialogues Between Artistic Research and Science and Technology Studies

Arts-Based Methods for Decolonising Participatory Research

The Iconology of Abstraction

Ventriloquism, Performance, and Contemporary Art

Dialogues Between Artistic Research and Science and Technology Studies

Art and Merchandise in Keith Haring´s Pop Shop

Art and Nature in the Anthropocene

Mapping Paradigms in Modern and Contemporary Art

Contemporary British Ceramics and the Influence of Sculpture

Crosscurrents in Australian First Nations and Non-Indigenous Art

A History of Solar Power Art and Design

Arts-Based Interventions and Social Change in Europe

Art After Instagram

Contemporary Art and Capitalist Modernization

The Contemporary Art Scene in Syria

Figurations of Peripheries Through Arts and Visual Studies

Olfactory Art and the Political in an Age of Resistance

Postinternet Art and its Afterlives

The Aesthetics of Image and Cultural Form

Caribbean and Latinx Street Art in Miami

Art Historical Perspectives on the Portrayal of Animal Death

Contemporary Art, Photography, and the Politics of Citizenship

Imaging and Mapping Eastern Europe

Art, Elitism, Authenticity and Liberty

Craft and Design Practice from an Embodied Perspective

Intermedial Art Practices as Cultural Resilience

Counterfactualism in the Fine Arts

Über den/die AutorIn

Albu, CristinaHrsg.Schuld, DawnaHrsg.

Cristina Albu is Assistant Professor in the Department of Art History at the University of Missouri?Kansas City, USA.Dawna Schuld is Assistant Professor of Modern and Contemporary Art Historyin the Department of Visualization at Texas A&M University, USA.

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